Live Production
Senior Producer of Timcast IRL. Technical infrastructure, crews, venues, networking, and road broadcasts — where going down is not an option.
// Senior Producer • Systems Builder • Creative Director
I turn creative ideas into reliable productions and repeatable systems across live media and music.
Senior Producer of Timcast IRL. Technical infrastructure, crews, venues, networking, and road broadcasts — where going down is not an option.
Composition, arrangement, tracking, vocal production, mixing, and mastering — performed and engineered in-house.
Built Trash House Records from zero — artist onboarding, distribution, publishing, rights administration, and direct-to-consumer sales.
An independent Billboard-charting methodology built from scratch, plus the SOPs behind release weeks, compliance, and analytics.
// Timcast • The Daily Wire • 2023
Flagship cross-company campaign
Reimagined a classic-rock original as contemporary synth-pop at the request of Timcast and Daily Wire leadership — rearrangement, programmed instrumentation, tracking, duet vocals, mixing and mastering. Led it across both companies as marketing contact and partnership manager. Ran a $250K campaign and stood up alternate sales infrastructure when the primary commerce platform failed mid-campaign.
~8.8M combined YouTube Music plays by Christmas Eve · ~40K units sold · ~$100K in associated promotional coffee sales
// Timcast Music • 2022
Proof of the integrated production model
Performed, tracked, produced, mixed and mastered it — wrote the lead-guitar riff and programmed the drum arrangement performed live by Pete Parada. Researched Billboard mechanics, Luminate reporting and chart eligibility, then built the release infrastructure from scratch and charted with no preorder window.
820K YouTube views in ~1 day · Billboard’s #2 top-selling song of the week — behind only Elton John & Britney Spears
// Timcast Music • 2023–2024
Producer, engineer & co-writer
Bright Eyes ran with no paid campaign as a deliberate test of organic demand — the artist later said publicly the music had earned enough to live on. Coming Home was co-written with Tim Pool and Phil Labonte of All That Remains; I wrote the back half of the chorus, the hook and post-chorus, and tracked Labonte’s vocals in-house.
Sustained professional output through a studio relocation by self-funding and building an independent production environment
// Philosophy
Reliability builds trust.
The best systems disappear.
Creativity without execution is decoration.
Simple scales.
Every detail communicates.
// Currently
// Contact
If you’re building something that needs to work at scale — a show, a label, a release, a system — I’d like to hear about it.